Stephen Schloesser, S.J.
Specialty Area: Modern European History
Office #: Crown Center 504
CV Link: Schloesser CV
Stephen Schloesser, S.J. (Ph.D., Stanford University, 1999; B.A. University of St. Thomas, 1980) is Professor of History at Loyola University Chicago where he teaches courses in Western civilization, Modern European history, intellectual history, and histories of Catholicism and of Jesuits. In 2011, Schloesser came to Loyola from the Boston College History Department and the Weston Jesuit School of Theology (Cambridge, Mass.) where he had taught since 1999.
Schloesser is the author of Visions of Amen: The Theological Aesthetics of Olivier Messiaen (Eerdmans, 2014); and Jazz Age Catholicism: Mystic Modernism in Postwar Paris, 1919-1933 (University of Toronto Press, 2005). He is the editor of Mystic Masque: Semblance and Reality in Georges Rouault, 1871-1958 (McMullen Museum of Art, Boston College, 2008); and co-editor (with Jennifer Donelson) of Mystic Modern: The Music, Thought, and Legacy of Charles Tournemire (Church Music Association of America, 2014). His articles and reviews appear in journals such as Theological Studies, Catholic Historical Review, Shofar: An Interdisciplinary Jewish Review, Journal of Church and State, Journal of Interdisciplinary History, and Cristianesimo nella Storia (Bologna). In commemoration of the fiftieth anniversary of Georges Rouault’s death, Schloesser curated the exhibit Mystic Masque: Semblance and Reality in Georges Rouault, 1871-1958 at Boston College in 2008. Beginning in October 2012, Schloesser authored a two-year Tumblr site in commemoration of the bicentennial of the Restoration of the Society of Jesus (1814-2014) and a century of women’s education at Loyola University-Mundelein College (1914-2014). He co-curated the exhibition Crossings and Dwellings: Restored Jesuits, Women Religious, American Experience, 1814-2014 mounted at the Loyola University Museum of Art (19 July-19 October, 2014); and, along with departmental colleague Prof. Kyle Roberts, organized the accompanying research conference. Schloesser serves on the Editorial Board for the Catholic Historical Review.
Schloesser has been the recipient of several awards and honors. His exhibit Mystic Masque (2008) received the Apple Valley Foundation’s Curatorial Excellence Award. Jazz Age Catholicism (2005) was awarded the John Gilmary Shea Prize from the American Catholic Historical Association. In 2004, along with pianists Hyesook Kim and Stéphane Lemelin, Schloesser received a grant from the Calvin College’s Calvin Center for Christian Scholarship funding a collaborative performance and publication project on Olivier Messiaen’s Visions of Amen. From 2005-2007, Schloesser served as the LoSchiavo Chair in Catholic Social Thought in the Joan and Ralph Lane Center for Catholic Studies and Social Thought at the University of San Francisco; in 2001-2002 as a Bannan Research Fellow at Santa Clara University; and in 1998-1999 as a Post-Doctoral In-Residence Fellow at the Erasmus Institute, University of Notre Dame. Schloesser is a past recipient of awards from the Charlotte W. Newcombe Fellowship (Woodrow Wilson Fellowship Foundation), the Bourse Chateaubriand (Ambassade Culturelle de France), and the Georges Lurcy Fellowship.
Intellectual and cultural history of France, 1789-present; histories of late-modern European music, religion, mysticism, Jesuits, and Catholic thought and culture
HIST 101: Evolution of Western Ideas and Institutions to 1700
HIST 102: Evolution of Western Ideas and Institutions Since 1700
HIST 291: Junior Colloquium: Historical Methods
HIST 401: 20th-Century Catholic Intellectual Revival
HIST 410: Twentieth Century Jesuits: An Intellectual History
Visions of Amen: The Early Life and Music of Olivier Messiaen (Eerdmans, 2014).
"'Dancing on the Edge of the Volcano': Biopolitics and What Happened after Vatican II," in From Vatican II to Pope Francis: Charting a Catholic Future, ed. Paul Crowley (Orbis, 2014), 3-26.
“Accommodation as a Rhetorical Principle: Twenty Years after John O’Malley’s The First Jesuits (1993)," Journal of Jesuit Studies 1.3 (2014): 347-372.
“Fear, Sublimity, Transcendence: Notes for a History of Emotions in Olivier Messiaen,” History of European Ideas 40.6 (2014): 1-31.
"The Composer as Commentator: Music and Text in Tournemire's Symbolist Method," in Mystic Modern: The Music, Thought, and Legacy of Charles Tournemire, ed. Jennifer Donelson and Stephen Schloesser (Church Music Association of America, 2014), 253-286.
Review Essay: “Recent Works in Jesuit Philosophy: Vicissitudes of Rhetorical Accommodation,” Journal of Jesuit Studies 1/1 (2014): 105-126.